I’m a Pipeline Technical Director with a passion for building tools and workflows that bridge creative and technical teams in VFX production. With a background in both computer science and physics, I thrive on solving complex production challenges—from automating asset publishing pipelines to integrating AI assistants directly into artist workflows.

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At MakeMake Entertainment, I developed crowd publishing tools for Golaem in Maya, automated a feather pipeline from Maya to Houdini with Ftrack integration, and created cross-application publishing solutions to keep assets moving seamlessly through the pipeline. My work has reduced manual processes, minimized render errors, and improved artist efficiency across departments.

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I’m skilled in Python, PySide, Web APIs, and have experience with asset tracking systems like Ftrack (similar to Shotgun), render farm integrations, and troubleshooting production-critical issues such as black frames, failed submissions, and publishing bugs. Recently, I built an AI-powered Maya MCP assistant that enables artists to run commands, query data, and receive pipeline support directly within Maya.

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Currently, I’m expanding my expertise through Unreal Engine shot production training at Gnomon, building real-time pipeline skills to complement traditional VFX workflows. I bring a collaborative, solutions-focused approach to every project, working closely with artists, producers, and engineers to deliver tools that enhance productivity and creative freedom.